By Tom Piazza
In one resource, this publication serves as a box consultant to to be had recordings in addition to a hugely available imaginative and prescient of the improvement and sound of the song, person who will supply the reader a few experience of what musicians take into consideration once they play, what sorts of calls for are put on them, and what types of ideas they must get a hold of.
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In one resource, this booklet serves as a box advisor to on hand recordings in addition to a hugely obtainable imaginative and prescient of the advance and sound of the song, person who will supply the reader a few feel of what musicians take into consideration once they play, what different types of calls for are put on them, and what types of strategies they need to get a hold of.
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Extra info for The Guide to Classic Recorded Jazz
In any case, the Creole Jazz Band's version of "Snake Rag" is studded with two-cornet breaks by Oliver and Armstrong, which caused a sensation in Chicago and are still sly, fresh, and exhilarating. More Oliver "Froggie Moore" is a fine band reading of a piano rag composed by Jelly Roll Morton. You can hear the composer's solo version of the same tune, recorded eight months later (also for Gennett), on Jelly Roll Morton 1923/24 (Milestone MCD-47018-2). Another of the Gennetts, "Weather Bird," is an Armstrong composition, which he recorded five years later as a duet with pianist Earl Hines (available Page 8 on Louis Armstrong, Volume 4: Louis Armstrong and Earl Hines [Columbia CK 45142]).
Most of these performances begin with New Orleans - style ensembles, with the trumpet or cornet playing the lead, the clarinet playing a fluid embroidery around that, and the trombone playing harmony notes. Because the recording quality is much better than that of the Oliver records, you can sort out the various instruments more easily. " There is also more dramatic contrast between sections of the pieces. Another crucial difference is that, on many of these tracks, Morton uses a Page 11 string, or upright, bass - rather than a tuba - to fill in the harmonic underpinnings of the music and also to make the rhythm more flexible.
Publisher : University of Iowa Press isbn10 | asin : 0877454892 print isbn13 : 9780877454892 ebook isbn13 : 9781587291883 language : English subject Jazz--Discography, Sound recordings--Reviews. 78165/0266 subject : Jazz--Discography, Sound recordings--Reviews. Page iii The Guide to Classic Recorded Jazz Tom Piazza University of Iowa Press Iowa City Page iv University of Iowa Press, Iowa City 52242 Copyright (c) 1995 by Tom Piazza All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means, electronic or mechanical, including photocopying and recording, without permission in writing from the publisher.
The Guide to Classic Recorded Jazz by Tom Piazza