By Antero Garcia
Younger grownup literature, from The Outsiders to Harry Potter, has assisted in shaping the cultural panorama for youth probably greater than the other type of consumable media within the 20th and twenty-first century. With the increase of mega blockbuster motion pictures in keeping with those books in recent times, the younger grownup style is being co-opted via curious grownup readers and by way of Hollywood manufacturers. in spite of the fact that, whereas the style will be getting extra readers than ever sooner than, younger grownup literature is still exclusionary and troublesome: few titles characteristic traditionally marginalized contributors, the books current heteronormative views, and gender stereotypes proceed to persist.
Taking a severe method, younger grownup Literature: demanding Genres deals educators, formative years librarians, and scholars a collection of techniques for unpacking, hard, and reworking the assumptions of a few of the genre's preferred titles. Pushing the style ahead, Antero Garcia builds on his stories as a former highschool instructor to provide innovations for integrating younger grownup literature in a modern severe pedagogy by utilizing participatory media.
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Additional info for Critical Foundations in Young Adult Literature: Challenging Genres
There are even sensitive and 11 INTRODUCTION empowering paranormal male and female heartthrobs out there! When appropriate, I attempt to share the counter-narratives to problematic and stereotypical politics of representation. However, when I focus much of a chapter on a single, problematic text, I don’t do this to pinpoint one single book’s shortcomings but as a depiction of continuing trends in Young Adult literature. Finally, I also need to make clear that I write this book from a place of reserved love for the genre.
For a more focused look at the market for academic book publishers, for example, see Thompson’s Books in the Digital Age (2005). Another key tension that arose from my classes when discussing publishing is the feeling or intent or passion of the writers. For example, upon hearing about the ways that I Am Number Four was produced many of my students recoiled from the book. 29 CHAPTER 1 That the production of the text does not match their image of the impassioned writer slaving away at producing the book felt disingenuous to my students.
This is not to say that marketability is unimportant. On the contrary, I realize that publishers want their books to make money (and lots of it). However, this can be done in ways that still encourage a diversity of styles, narratives, and authors producing work. And as problematic as Full Fathom Five’s business strategy appears, it is important to recognize a basic fact about YA: this publisher’s business practices are ones that every publisher, to an extent, engage in. The formulaic YA novels that flood today’s market are anything but original.
Critical Foundations in Young Adult Literature: Challenging Genres by Antero Garcia