By David Belbin
In Nottingham, 1997, Labour MP Sarah Bone celebrates a profitable crusade to safe an charm for convicted assassin Ed Clark. yet she quickly discovers that he could be accountable in spite of everything. pushed to discover the reality approximately Ed, she additionally has to struggle an important election of a new release, one she is predicted to lose. Nick Cane can be clean out of criminal. operating illegally as a cabby, he unearths he's now a colleague to Ed Clark. and because he's seeing Polly Bolton, the sister of the fellow Ed is intended to have murdered, Nick must locate the reality up to Sarah does.
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Additional resources for Bone & Cane (Bone and Cane, Book 1)
The scruffy, uneducated, journalistic writers who’d become the best-sellers for their generation. He was ashamed, in retrospect, that he hadn’t anticipated what publishing would turn into: an industry as stupid as any other. A resentful and antiquated streetwalker. Mincing about in tattered robes. Dependent on television and trendy magazines. Enemies whose nuisance value he hadn’t spotted. Neither left nor right wing. Neither classic nor modern. TV personalities. Celebrities of the day. Pitching a line, always on the lookout for fresh flesh, greedy for readership figures.
Thanks for being so understanding. . . . . . Oh — 36 — yes, I assure you. ” She stands up, takes her empty glass to the counter, and signs to Cro-Mag to get her another Coke. An amused smile playing around her lips, she winks at me from a distance. The old bat must be putting up sturdy opposition, but the Hyena looks as blissful as if she’s pulling on a really good joint. After a further ten minutes’ argument, she ends the call and comes back to me looking highly pleased. “A good sort in the end, our Jacqueline.
Well, too bad, after all he isn’t there to look like a film star, he’ll concentrate on being brilliant in the interview. Just before leaving, the imbecile points to one of his bags. “You got Wi-Fi? ” François can’t suppress an irritable sigh. ” François indicates the Mies van der Rohe chair in the vestibule—“Okay, you can sit here if you like”—and shakes hands, thanking him, in a manner that says don’t bother telling me when you’ve finished. He goes back to join the journalist in his study. She is calm, leaning forward slightly on her chair, with a carefully judged décolletage, just enough to be exciting, but too demure for one not to want to see more.
Bone & Cane (Bone and Cane, Book 1) by David Belbin