By Nicolas Slonimsky, Laura Diane Kuhn
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In one resource, this ebook serves as a box advisor to on hand recordings in addition to a hugely obtainable imaginative and prescient of the advance and sound of the track, person who will provide the reader a few experience of what musicians take into consideration after they play, what types of calls for are put on them, and what sorts of strategies they must get a hold of.
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Extra resources for Baker's Biographical Dictionary of Musicians, Vol. 2
1570; d. probably in London, after 1652. He pursued his career in London, serving as organist at c0' Dulwich ColI. (1622-24) and at the Charterhouse (1626-43). His distinguished keyboard works, which call for virtuoso technique, are modeled after the music of Bull. Cosyn included 32 keyboard pieces in what has become known as the Cosyn Virginal Book (MS, c. 1620), which also includes works by Bull, Byrd, Gibbons, and Tallis. Another MS collection (1652) includes some 50 works by Cosyn, along with works by others.
Y. musical production to bear Coward's name, ran 140 performances, and "Poor Little Rich Girl" became a hit for Gertrude Lawrence, who sang it onstage, in April 1926. , for which he wrote the songs and the libretto and which he directed and starred in on Broadway. Y. S. , and "Dance, Little Lady," by the orchestra of Roger Wolfe Kahn. Bitter Sweet, Coward's 1929 show, was a full-fledged operetta. productions. His most successful musical work, it ran 697 performances in the West End, 159 on Broadway, and gave Coward his biggest song success yet when "I'll See You Again" was recorded by Leo Reisman and His Orch.
He also distinguished himself as a successful singer and songwriter. " Coward's father, Arthur Sabin Coward, was a piano salesman; though Coward had no musical training, he began playing piano by ear at age seven. He attended private schools only until the age of ten, when he went into the theater. He had his first acting role in the play The Goldfish in London during the 1911 Christmas season. He wrote his first song, "Forbidden Fruit," at age 16 and placed his first song in a show when the revue Tails-Up featured "Peter Pan" (music by Doris Joel) in June 1918.
Baker's Biographical Dictionary of Musicians, Vol. 2 by Nicolas Slonimsky, Laura Diane Kuhn